Entries Tagged as 'Entertainment'

Google Music – Release

Back on the 17th of November Google announced the generally availability of Google Music…

We’re excited to announce that Music Beta by Google is officially graduating from beta today! Google Music will remain a free service, and you can continue to store up to 20,000 songs in your personal music library.

As well as an updated terms of service, and a music store (that works via Android Market).

The terms of service clarifies that each individual uploads and maintains his individual copy of a music file (unlike Apple’s service which may well substitute your copy with one from the iTunes store).

And while I think Google Music is a great value (it’s free), I think it might still be a little buggy…

My music library has in excess of 30,000 MP3 files, and while I understand that Google will not upload all of them, and that I might not be able to control exactly which 20,000 songs they upload without creating a copy of the songs I have in a separate directory structure, I’m at a loss as to why I only have 19,088 from my collection uploaded — and the error I see in the load is “too many files in account”…

While I wouldn’t have been shocked if I got 19,999 songs uploaded, it seem to me that there’s definitely a deficiency in Google’s uploader and it’s logic for determining when you’ve reached 20,000 songs in your library.

Like I said, I think the Google Music service is a good value; but it does lack the ability to use it as a “backup” of your music library (there’s really no facility to retrieve the music you upload, other than the very painful, manual effort you’d have to put into retrieving files from the cache it builds as you play them and renaming them).

An alternative is the Amazon Music service; they only provide 5GB free, but for a modest yearly payment they do allow unlimited (Google hasn’t even set pricing for raising the limit on their service); and with both the song you purchase don’t count toward your limit.  The upside of the Amazon service is that it does work nicely as a backup; you can retrieve the music you upload.

For the time being, I’ll use the Google Service; but my guess is that I’ll just migrate to Amazon if Google doesn’t really focus on making the service work correctly, and provide for additional storage.

Originally posted 2011-11-25 02:00:48.

Happy Samhain

Samhain is the name for the Gaelic festival you probably know better as Halloween (All Saints’ Eve or All Hallows’ Eve).

For an excellent article on the history of Halloween and the origins of many of the traditions we know, read up on Wikipedia — you might be surprised by what you read.

Halloween on Wikipedia

Originally posted 2009-10-31 01:00:07.

AT&T U-Verse

I signed up for AT&T U-Verse service about two months ago — I’ve already made a post on that, but I decide to go ahead and do a series of posts on it.

This post will be an over view of what it is; then I’ll do a post on each of the services that are part of it.

The first thing to say about AT&T U-Verse is that it is offered by a company that I think very little of; a company that does not engender trust (in fact I’m suspicious of them at every turn — they seem to make mistake after mistake after mistake — and all their mistakes benefit them).  The sad thing is you might not have any substantially better company in your area to receive similar services from — so it’s not necessarily choosing the best, but often choosing the one that gives you that most without costing you the most.

U-Verse in short is AT&T’s name for an “advance” set of services — voice, television, and internet.

AT&T’s system generally provides these services to the home over copper (fibre is required in fairly close proximity as well).  The technology is called FTTN (fibre-to-the-node) and while they do have some FTTP (fibre-to-the-premises) it’s only found in extremely dense areas.

With FTTN a VRAD (video-ready-access-device) is present between the Central Office and the end node consumer; in FTTP it isn’t.  VRADs are generally fairly large pieces of equipment similar to a cable company’s “head-end” (used for digital cable deployment) and much larger than a TELCO’s mini-DSLAMs (used for DSL deployment via copper from fibre from the Central Office DSLAM).

The services offered via U-Verse are: voice (“land line” telephone), television (“cable” tv as well as video on demand), and internet (“high speed” broadband).

When the service is installed it’s likely the installers will work in a team; the outside cable will be run by one person (generally the entry copper from the pole will be replaced) and new inside wiring is run.

It’s important to note that all services are digital.

Voice is provided by voice over IP (VoIP) technology; television is provided through ip video (including live and video on demand [VOD]); and of course the internet service is the core of everything (though an optional part).

The center of the system in the home is a residential gateway which handles all three of the services (along with a battery backup unit — mainly to insure that emergency services work in power outages).

Many people ask the question if they can use their own residential equipment rather than what AT&T provides.  The answer simply is NO.  Currently you must use the AT&T equipment — you may use your equipment in addition to the AT&T residential gateway, or remove your equipment and use exclusively the AT&T provided equipment.

I’ll cover the details of each service with respect to the gateway in the following posts — but your installer will work with you to provide a reasonable installation that should provide you with voice, television, and internet services much as you currently have.

The gateway itself has one WAN side connection, two telephone jacks  (it’s not clear to me whether it’s cable of three lines or four lines, but currently you can only subscribe for two lines of service), four 100-Base-T Ethernet (LAN) connections, one wireless (802.11-N) radio, one USB connection (for a PC), one “F” connector for video, and one Ethernet “broadband” connection (I’m not sure what this is for, it’s got a piece of transparent tape over it on my unit).

Initially the set-top boxes and DVR units must be cabled directly to the unit to insure proper discover; after they are configured you can use a switch if you want more ports; or you can connect your router to the gateway if you like (you will need to reconfigure the gateway if you do this to allow your gateway to work as before).

If everything goes well in the installation, once the wiring is in place the gateway, set-top boxes, and DVR units will register and come online within a few minutes — however, AT&T seems to have quite a few units that are defective, so don’t be surprised if there are some problems.

I had ordered one DVR and two set-top boxes (mainly because I wanted the maximum installation I could get for free).  One of the set-top boxes was DOA (dead-on-arrival), one of the set-top boxes worked (but I decided I didn’t really want to keep it so the install took it back), and the DVR unit wasn’t completely dead, but was defective.  Fortunately the installer had another unit he could replace it with — but since the unit had worked well enough to register itself it took quite sometime for the installer to find someone at AT&T support who was able to clear out the previous registration so my “new” DVR could register.

We also had some issues with the voice service; but by the time the DVR issues were resolved a reboot of the gateway seemed to download the proper service configuration and both inbound and outbound calling worked.

I will note that my install was originally scheduled for a Saturday (it was the first day I could select); and AT&T never informed me that they had moved my installation date to the following Monday.  I found out when I called them 15-minutes before the close of the installation window.  I was more than a little pissed since I had changed my plans Saturday to accommodate them, and now I had to change my plans for Monday as well!

Over all I give my installer fairly high marks for doing a good job (though he still owes me a jack — AT&T doesn’t give there installers a very good supply of equipment or parts); but like almost every AT&T system, it’s brittle and almost appears designed to fail.

The one short coming of my install is that he really didn’t know a great deal about configuring the gateway for a “complex” network; but since that isn’t something AT&T technically supports I can’t fault him on that, and I certainly knew enough to figure out what needed to be changed (the 2Wire device they use could be considered a “pro-sumer” grade device, so it capable of meeting most needs, but don’t expect it to have highly technical descriptions of the various settings).

I will say, that after the initial installation the system appeared to work… though before you place your order you’ll want to read my next three posts as well as do a price-feature comparison with what you have now.

Also, you may find that it turns out to be less expensive to order more services than you want.  For example, if you only want internet service — it’s cheaper to order enough service to get a free installation (well, it’s not free — I found no way to avoid the $29 activation fee — but it’s easy to see how to avoid the $149 installation fee).  If you order a bundle, the installation fee is waived; if you downgrade in the first thirty (30) days there’s a $5 fee — so as the installer is leaving, call and downgrade — save $144 of the installation fee… though taking advantage of some of the rewards and promotions may actually make it less expensive to have more services for longer.

Oh, and one last word — make sure you keep copies of everything you “read” online to do with any promotional credits, rewards, requirements.  As I’ve already said, AT&T does not engender trust.

Originally posted 2010-05-14 02:00:22.

Lady Gaga

In case you’ve been living under a rock in a cave in a remote part of the world… meet Lady Gaga!

When Lady Gaga was a little girl, she would sing along on her mini plastic tape recorder to Michael Jackson and Cyndi Lauper hits and get twirled in the air in daddy’s arms to the sounds of the Rolling Stones and the Beatles. The precocious child would dance around the table at fancy Upper West Side restaurants using the breadsticks as a baton. And, she would innocently greet a new babysitter in nothing but her birthday suit.

It’s no wonder that little girl from a good Italian New York family, turned into the exhibitionist, multi-talented singer-songwriter with a flair for theatrics that she is today: Lady Gaga.

“I was always an entertainer. I was a ham as a little girl and I’m a ham today,” says Lady Gaga, 23, who made a name for herself on the Lower East Side club scene with the infectious dance-pop party song “Beautiful Dirty Rich,” and wild, theatrical, and often tongue-in-cheek “shock art” performances where Gaga – who designs and makes many of her stage outfits — would strip down to her hand-crafted hot pants and bikini top, light cans of hairspray on fire, and strike a pose as a disco ball lowered from the ceiling to the orchestral sounds of A Clockwork Orange.

“I always loved rock and pop and theater. When I discovered Queen and David Bowie is when it really came together for me and I realized I could do all three,” says Gaga, who nicked her name from Queen’s song “Radio Gaga” and who cites rock star girlfriends, Peggy Bundy, and Donatella Versace as her fashion icons. “I look at those artists as icons in art. It’s not just about the music. It’s about the performance, the attitude, the look; it’s everything. And, that is where I live as an artist and that is what I want to accomplish.”

That goal might seem lofty, but consider the artist: Gaga is the girl who at age 4 learned piano by ear. By age 13, she had written her first piano ballad. At 14, she played open mike nights at clubs such as New York’s the Bitter End by night and was teased for her quirky, eccentric style by her Convent of the Sacred Heart School (the Manhattan private school Nicky and Paris Hilton attended) classmates by day. At age 17, she became was one of 20 kids in the world to get early admission to Tisch School of the Arts at NYU. Signed by her 20th birthday and writing songs for other artists (such as the Pussycat Dolls, and has been asked to write for a series of Interscope artists) before her debut album was even released, Lady Gaga has earned the right to reach for the sky.

“My goal as an artist is to funnel a pop record to a world in a very interesting way,” says Gaga, who wrote all of her lyrics, all of her melodies, and played most of the synth work on her album, The Fame (Streamline/KonLive/Cherrytree/Interscope). “I almost want to trick people into hanging with something that is really cool with a pop song. It’s almost like the spoonful of sugar and I’m the medicine.”

On The Fame, it’s as if Gaga took two parts dance-pop, one part electro-pop, and one part rock with a splash of disco and burlesque and generously poured it into the figurative martini glasses of the world in an effort to get everyone drunk with her Fame. “The Fame is about how anyone can feel famous,” she explains. “Pop culture is art. It doesn’t make you cool to hate pop culture, so I embraced it and you hear it all over The Fame. But, it’s a sharable fame. I want to invite you all to the party. I want people to feel a part of this lifestyle.”

The CD’s opener and first single, “Just Dance,” gets the dance floor rocking with it’s “fun, L.A., celebratory vibe.” As for the equally catchy, “Boys Boys Boys,” Gaga doesn’t mind wearing her influences on her sleeve. “I wanted to write the female version of Motley Crue’s ‘Girls Girls Girls,’ but with my own twist. I wanted to write a pop song that rockers would like.”

“Beautiful Dirty Rich” sums up her time of self-discovery, living in the Lower East Side and dabbling in drugs and the party scene. “That time, and that song, was just me trying to figure things out,” says Gaga. “Once I grabbed the reigns of my artistry, I fell in love with that more than I did with the party life.” On first listen, “Paparazzi” might come off as a love song to cameras, and in all honestly, Gaga jokes “on one level it IS about wooing the paparazzi and wanting fame. But, it’s not to be taken completely seriously. It’s about everyone’s obsession with that idea. But, it’s also about wanting a guy to love you and the struggle of whether you can have success or love or both.”

Gaga shows her passion for love songs on such softer tracks as the Queen-influenced “Brown Eyes” and the sweet kiss-off break-up song “Nothing I can Say (eh eh).” “‘Brown Eyes’ is the most vulnerable song on the album,” she explains. “‘Eh Eh’ is my simple pop song about finding someone new and breaking up with the old boyfriend.”

For the new tour for this album, fans will be treated to a more polished version of what they saw (and loved) at her critically acclaimed Lollapalooza show in August 2007 and Winter Music Conference performance in March 2008. “This new show is the couture version of my handmade downtown performance of the past few years. It’s more fine-tuned, but some of my favorite elements to my past shows – the disco balls, hot pants, sequin, and stilettos – will still be there. Just more fierce and more of a conceptual show with a vision for pop performance art.”

It’s been a while since a new pop artist has made her way in the music industry the old-fashioned/grass roots way by paying her dues with seedy club gigs and self-promotion. This is one rising pop star who hasn’t been plucked from a model casting call, born into a famous family, won a reality TV singing contest, or emerged from a teen cable TV sitcom. “I did this the way you are supposed to. I played every club in New York City and I bombed in every club and then killed it in every club and I found myself as an artist. I learned how to survive as an artist, get real, and how to fail and then figure out who I was as singer and performer. And, I worked hard.”

Gaga adds with a wink in her eye, “And, now, I’m just trying to change the world one sequin at a time.”

sldn.org

Lady Gaga on Wikipedia

Lady Gaga: Official Site

Lady Gaga

Originally posted 2010-12-31 02:00:12.

The Media Home

It may come as a shock to you, but computers are here to stay, and there’s at least one in almost every home in the country.

Computers in the home are becoming a “fabric” around which we build and manage our lives, our communications, and our entertainment to enumerate just a few critical areas.

But, almost nothing plays nicely together… and that’s a real problem for the average consumer who’s never figured out how to set the clock on their microwave oven!

A sleepy little company in Redmond, Washington introduced a product they call “Windows Home Server”… it’s really not a revolutionary product, it’s more just a repackaging of technology they already had — it’s just designed to be easy to install and maintain; and it’s targeted at the home market (much like Small Business Server was to the small business without an IT staff).

Why has Microsoft targeted a product like this at the home market?

Easy — he who defines the fabric of the home network is most likely to reap the rewards in controlling the devices the consumer buys for them.

Microsoft has tried for years to get low end versions of Windows into just about everything (Windows CE, Windows Mobile, etc)… and the Microsoft Home Server is another attempt at that.

Now since we have cell phones, music players, video players, navigation systems, and a host of other things built on top of Windows, Microsoft is making the move to make everything work together — well, at least sort of work together (I can’t tell you how many times I’ve deleted the partnership between my phone and my PC to get them to sync).

But the key is here, they will target the consumer, and the consumer will most likely purchase additional hardware and software that is “certified” to work.

Certainly Microsoft isn’t the only company chasing after control of the infrastructure; but they are one of the biggest… and certainly wisdom would suggest that you not put yourself firmly in the cross hairs of a market segment Microsoft is targeting.

Bottom line is, keep your eyes open for a host of products for the home that leverage off of Microsoft core technology that attempt to bring the average consumer into the digital media era.

Originally posted 2008-06-05 01:10:52.

#MeToo

I’ll open by underscoring this is my personal opinion.

I’ve read and watched a number of individuals come forward about being sexually harassed in the past — and I think that’s a great travesty that people would take advantage of another based on their position, social status, wealth, or power — but let’s wake up here… that is how the world has operated (and we’ve all turned blind eyes for years, decades, millenniums), so let’s ratchet down the (false) indignation and work for a newer world order where harassment is a thing of the past.

I see this as an issue were we need not only looks at who did what — but when it was done.

Yes, the standards 10, 20, 30, 40, 50… years ago were very different than it is today.  And the way things were done might be appalling by today’s standards, but none the less that’s how they were done and we all knew it (don’t even try to pretend you thought all those stories of the “casting couch” and “sexitaries” was just locker-room banter… you knew it was true, and simply chose to do nothing about it).

Here on MLK day I’ve decided to share my thoughts — though let’s not pretend like MLK was a saint… he too was a sinner. He too (seemingly) had issues with equal rights for all (you didn’t hear him mention women, you didn’t hear him mention races other than white and black, you didn’t hear him mention gays).  The one thing Dr King did do: he opened up dialog which started to move this country forward from a long period of stagnation.

My feeling is actions which happened many years ago need to be looked at in the light of the prevailing time… those people need to be admonished at minimum, but if they didn’t cross what was the norm at the time that needs to be the end of it.  We just need to make sure that we update our image of the past and those personalities to include that they failed to treat everyone with the respect they deserved, and failed to take a stand to end harassment.

However, when similar things are happening now, or within the past several years — that’s different.  Clearly these events are transgressions that go far beyond the accepted norms.  Not only do we need to admonish these individuals, but we need to take action to insure that they and the industries they are in change.  That change needs to occur sooner, not later.

Should they be fired — yes — if they don’t have the courage and integrity to resign.

But should individuals who committed transgressions many, many years back when times were different be fired — that’s a little more complex; we need to look at the individual now, appraise what changes have been made to their life, and if they are still that same person.  If they are — then they’re out; however, if they’ve made change… we can give them a little time under the microscope before we make our final decision.

I’m all for zero tolerance, but zero tolerance never seems to be that (just check when the local school’s sports hero crosses the zero tolerance line, there always seems to be tolerance for at least a second chance — so something else we need to be honest with ourselves about — rarely do we really have zero tolerance, it’s just a catch phrase).

Personally I abhor harassment of any kind, I abhor those who feel they are better than others and can get away with it, I abhor those who help hide it and punish the victims… but this is a problem where we have to start to resolve today, and not get carried away with witch-hunt after witch-hunt of “dark” figures from out past.

Google Music

Well that didn’t take long.

I’ve used a little of my time this week to get more of my digital music library together… and now I’m over the limit of Google Music (and I can tell you it doesn’t handle it gracefully).

But it was pretty obvious from the start that managing the Google Music storage wasn’t really going to be easy.

And I haven’t even finished uploading all my music — I haven’t even started on symphonic and Broadway tunes; and I’d guess I was about 70% through my rock/alternative/dance/country collection…

Yes, I could probably eliminate some music that I would probably never listen to; but the whole thing with cloud storage is that it’s supposed to be there when you want it no matter where you are… if I were always going to stay at home, I’d have access to all my music without the effort.

It’s a pretty safe bet that I’ll be using Amazon music storage by the end of the year, and just go ahead and pay them another $20 per year… the advantage to that is that they do support downloading your music — so I can view the $20 as simply a reasonable fee to backup my music off site.

Originally posted 2011-10-19 02:00:00.

Paw Paw Patch Song

Where, oh where, oh where is Susie?
Where, oh where, oh where is Susie?
Where, oh where, of where is Susie?
Way down yonder in the paw-paw patch.

Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Way down yonder in the paw-paw patch

Come along, boys, and let’s go find her.
Come along, boys, and let’s go find her.
Come along, boys, and let’s go find her.
Way down yonder in the paw-paw patch.

Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Way down yonder in the paw-paw patch

She’s a queen of old Hawaii.
She’s a queen of old Hawaii.
She’s a queen of old Hawaii.
Way down yonder in the paw-paw patch.

Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Way down yonder in the paw-paw patch

She can teach you how to hula.
She can teach you how to hula.
She can teach you how to hula.
Way down yonder in the paw-paw patch.

Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Pickin’ up paw-paws; put ’em in a basket.
Way down yonder in the paw-paw patch

Originally posted 2011-09-29 02:00:46.

The Worst Company in America

I’ve long held that one of the best measures of how bad a company is is how much they advertise, particularly direct mail advertising, and how they build their mailing lists.

Clearly we have a winner by this metric…  DirectTV of El Segundo, CA.

Three to four times per week I get a direct mailing from them, and once per week I get an insert in a advertiser newspaper.

Additionally I’ve filed for countless prohibitory orders through the United States Post Office (and I still get as many or more mailings from them).

Obviously there service is so pathetic that they desperately need new customers to replace the ones who bail as soon as their misleading contracts are up.

Today I called Direct TV and attempted to have my address removed from their database — they seemed to have a problem understanding that because they had taken my name and address from the telephone company listings and it was under “Solicitation Prohibited” that they didn’t need my real name to locate the record, and why they needed any name was beyond me (no it wasn’t, they were attempting to collect more demographic information to target even more advertising — they have no intent of removing my address from their database, if they had they would have done it when the United States Postal Service sent them the first prohibitory order over a year ago).

I don’t understand why anyone subscribes to satellite TV services… but then again I don’t understand why couch potatoes sit around watching mindless television programs when they could be doing something constructive with their lives.

Again — those who support unethical companies like DirectTV are part of the problem… and you should be ashamed for enabling them to operate.

Help me help DirectTV go out of business — boycott them and every other company that thinks they can continue to barrage you with direct mailings after you’ve filed with the USPS or requested removal of your address.

Originally posted 2011-01-21 02:00:39.

Google Music (Beta)

Google launched Google Music Beta a little over a month ago, and I’ve been using it since shortly after that.

Currently it’s free; allows you to upload up to 20,000 songs, and will play back that music through any browser, or through Android’s Music App (you will need the updated version that’s icon looks like a headset).

The Music Manager can be installed on a number of operating system, and can upload directories of music, or upload music from an iTune or Windows Media library… you do need to be patient, even on the fastest setting the manager will take quite some time to upload a large music library (I have 17,998 sound; origially I uploaded about 14,500 songs and it took almost 10 days).

The manager will detect changes to the files and automatically sync with the music cloud storage — and you can edit meta tags via the web interface as well.

The biggest downside of Google’s Music Beta is that there isn’t really any way to download the music from the cloud — say you had a local disk crash and wanted to get the music back in a library format (it does allow you to cache content locally for off-line playback).  Obviously the files are downloaded to your computer, but it’d take quite a bit of work to reorganize them (I’ll actually experiment with the cache to see if you could use something like MediaMonkey to reorganize the cache into a library — I don’t know if the ID3 tags are pulled down with the music stream or not).

While it’s free, it’s a great value — and it works very well; I’ve had no problem streaming music on 3G (you’ll want an unlimited data plan for sure)… the only potential issue you might have is that if your home internet provider caps your transfers per month (or charges for overages) you may want to upload parts of your library over several months (my library is 128GB — so almost the entire amount AT&T allows on DSL service and half what AT&T allows on U-Verse service once they start metering ).

Provided you’re not an iPhone user — I recommend you take a look at it; now if Google starts charging, you may want to consider using the Amazon service.  It’s $20 per year for unlimited music and 20GB of anything you want; or $5GB (total) if free.  The downside of the Amazon plan is that the MPAA and RIA are allowed to scan your files (there’s no privacy), and the price may change.  I can’t really speak much about the Amazon service since I’ve only played with the free storage (which isn’t anywhere near enough to store even a meaningful fraction of my library).  If you’re an iPhone user, you’ll want to look at the Apple music cloud service.

For the time being, the Google service is the best deal in town… you can check it out via:

Google Music Beta

Originally posted 2011-10-15 02:00:09.